Last weekend 65 artists gathered in a warehouse on the western most edge of Downtown LA and turned it into a neo-happening. The scene was a collaboration between The Do Lab and Lucent Dossier, two resident groups of the Artists District. Not quite a rave, not quite a scene, not quite a circus, nor performance art, Lucent Delirium was a little bit of each, and then a bit more.
The centerpiece of the evening was the “vaudeville cirque" Lucent Dossier and their performance of The Forbidden
Most of the choreography is improvised, with only a couple of fully blocked moments. After the initial confrontation between the two beings, the mood vacillates between sexy and threatening a couple of times before culminating in the obligatory artist-commune soft-core orgy. Considering the varied skills of the dancers, it probably wouldn’t have hurt to include a few more choreographed moves if only to solidify the capricious energy.
Though differing in technical prowess, all the dancers hold the requisite passion for the story and the act, making up the difference in this case. The troupe demonstrates the earnestness that only a commune of warehouse dwelling artists can properly convey. The story is quite secondary to the exercise and that’s just fine.
As a dance piece The Forbidden Om doesn’t break new ground and would be easily deconstructed by an apt dance reviewer. However, The Forbidden Om is strong artistic achievement in collaborative art as Scene Theater.
Assuming that most, if not all, of Lucent Dossier’s members are professionals in the art and entertainment fields, it seems clear that the whole event of Lucent Delirium and the others like it are temples in which the members (and audience) can restore their creative spirits.
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